The Scarlet Kilt

I don’t think it will spoil my story one bit if I tell you upfront that I’m dead. It isn’t the fact that I’m dead that makes my tale most interesting, but how I ended up dead. This is that story.

I started long-haul truck driving the year I was discharged from the Marines. October of ’78, I was driving a load of toothpicks to the East Coast. It was late Halloween night, nearing 2 a.m., and the trick-or-treat goblins had long gone to bed. I had just passed through Whitefish, Montana, when the logs I was carrying—and my eyelids—started feeling a couple tons heavier. Making good time on my haul, I figured it was a good opportunity to pull over at the next truck stop for coffee and a cheeseburger.

After miles of pitch-black driving, I finally saw light up ahead. A small greasy spoon—no bigger than a mobile home—sat just off the road, bathed in red neon light. The sign out front read “The Scarlet Kilt.” It could’ve been “The Purple Panties” for all I cared; I was hungry, and I needed caffeine. I pulled over.

Inside was the kind of place you’d see a thousand times if you’d been on the road as long as I had. Same heartburn-inducing food, same tired employees. But there was something about this joint—something slightly off. I walked in, lit a Marlboro, and took a seat at a small wooden table in the darkest corner.

I propped a menu in front of my face and pretended to read while I scanned my surroundings. An old cowboy in filthy clothes sucked down a brew, while a leathery-faced woman, old enough to be his mom, chewed on his ear. A white-bearded biker with a gut stood up, fished his wallet out of his pants, and punched Jim Stafford’s “Spiders and Snakes” into the jukebox before leaving. Behind the counter, the cook—a hulking Elliott Gould look-alike—flipped greasy patties and chomped on a stogie. The whole scene was a tableau of roadside eccentricity.

A sharp cackle broke through the haze of smoke and grease. A short, middle-aged waitress skittered to the counter, whipping a rag around like a ninja’s weapon.

“Arnie, sugar, if your burgers get any blacker, we’re gonna need coal shovels!”

The cook didn’t even flinch. The waitress glanced at me, grabbed a pitcher of water, and strutted over with a smile that shuffled between sassy and sinister.

“Don’t let that scare you, doll,” she said. “I wouldn’t say it to his face, but Arnie makes a fantastic cheeseburger. I just love busting his balls. I’ve been doing it for 25 years, but just between you and me, he doesn’t hear well, so I’m not even sure he knows I’m doing it.”

She poured some ice water.

“Welcome to The Scarlet Kilt, handsome,” she said. “I’m Evanora—owner, CEO, and your waitress tonight. What can I get for you?”

“Cheeseburger and coffee,” I said, extending my hand. “I’m Tom. What can I get for you?”

She leaned in, shaking my hand with a sly smile. “Honey, I think I’ve got everything I need. This place, my little upstairs apartment, and a steady stream of good-lookin’ men droppin’ by. Hey, a girl never gets tired of that kind of eye candy, even when it’s not Halloween.”

She winked, and it made my heart skip a beat. “And you, Mr. Tom… well, you’re the type of eye candy that would make a girl giddy that she has an extra-large Trick or Treat sack. What’s a handsome guy like you doin’ out here so late anyway? Don’t you know only maniacs and murderers come out this time of night?”

“See that rig out there stacked with timber? That’s mine,” I said. “I don’t know what all that wood’s going to be turned into, and that’s not my problem, but me and all that wood are currently on our way to West Virginia.”

She tilted her head, eyes twinkling. “That sure is a lot of wood you’re carrying there, but I’ll bet you’ve heard that before. Wait, your name isn’t something ironic like ‘Tom Woods,’ is it? Or ‘Tom Plank’? Oh god, please tell me you’re the world-famous porn star, Tom Logg…”

“Corbett,” I interrupted. “Tom Corbett. Yours?”

She shrugged. “Oh sugar, there’ve been so many last names, I’ve lost track. Just call me Evanora.”

I raised an eyebrow. “Evanora, huh? Let me guess—you really love peaches.”

She blinked at me. “Peaches?”

I pointed at her necklace, a string of polished peach pits. “Either you really love peaches, or your kid won the arts and crafts blue ribbon at church camp.”

She grinned. “I’m a Georgia peach, born and raised. Haven’t been there in years, though. This necklace keeps me grounded.”

“A southern belle?” I said. “I wouldn’t have guessed.”

“It’s been a long time,” she replied, her voice softening. “I didn’t fit in down there. Came out here to find myself. I’m a Montana girl at heart now. Anyway, let me put your order in and check on Monty. He’s the one over there wearing the cowboy hat and the whore. I’ll be back with some hot coffee for you in a couple minutes.”

She strutted back to the counter, and I watched her go, not even trying to hide the way my eyes followed her. The place did have a weird energy, but Evanora had a way of making everything feel a little lighter. It was a nice change from the monotonous stretches of highway I’d been driving.

A few more customers came in and out. Evanora continued to make her rounds to my table, squeezing my shoulder or giving me a flirtatious rub on the neck. I was starting to wonder how to make a move on her when Monty, the cowboy, and his leathered lady staggered out.

“Arnie,” she said, laughing, “your cooking has run off another one!”

She winked at me again, and her flirtations grew bolder with each pass of my table. By the time my burger and coffee arrived, I was more interested in her than the food. As I finished the last of my coffee, she plopped herself onto my lap.

“My shift’s over, sugar,” she said, tracing her fingers down my arm. “I don’t think I want to go home alone tonight. What do you say you come with me? No strings attached. You can hit the road first thing in the morning, no questions asked.” She didn’t wait for me to reply. “You look like you could use a shower and a soft bed. I’ll leave the door unlocked, so just wait five minutes after I go out the front. Then, follow me ‘round the back, up the stairs.”

She kissed my cheek before prancing off. I waited the five minutes, then paid my bill, left a hefty tip, and made my way around the back of the diner, climbing the stairs to her apartment. The door was unlocked as promised. I stepped inside and was greeted with the scent of incense and candle wax. The place was cozy, like a small museum, full of odd trinkets, Celtic amulets, and a few strange stuffed animals. Over the fireplace was a picture of a younger Evanora sitting on the lap of a smiling, red-bearded guy. A painting of a goat-headed man hung above them. The place was quirky, but oddly welcoming.

Evanora appeared, wearing a cherry-colored satin robe, barefoot and stunning. She carried two mugs of tea. “Hope you’re up for a cup,” she said, giving me a warm smile. “I make it myself. Helps me sleep. China Black, chamomile, rose hips… a few other things.”

I took the tea and sipped. It tasted earthy, with a faint sweetness. She led me to the couch. “Let me show you something,” she said, digging through a cabinet. She pulled out a small box, opened it, and revealed a hand-rolled joint. “I hope you don’t mind. Helps me relax.”

She lit the joint, took a long drag, and offered it to me. The smoke made my head swim, and the tea’s warmth spread through my body like a spell.

“My ex, Rory, was from Scotland,” she said. “He taught me the ancient craft when I was 19.”

“Craft?” I asked, my voice getting a little sleepy.

“Witchcraft. It isn’t what everyone thinks,” she said, lighting the joint again. “No baby-eating or cat-mutilating nonsense. No one does that kind of thing. It’s about nature and purification. Each of us has our own gifts. Mine? Energy manipulation. I can transfer energy.”

I looked at her, wondering if I should laugh. “I know, sounds weird, but it’s real. In witchcraft, we’re all free to do our own thing, so we concentrate on the things we do best.”

The weed started kicking in, and my mind began to be bombarded with abstract thoughts. The witchy talk was making my head spin. Or maybe there was something more than just tea in my cup. A sudden surge of desire rose up in me, and before I knew it, I was leaning in toward her. I wasn’t sure how I felt about being with a witch, but I was about to find out.

“I have that same philosophy,” I said. “Free to do my own thing. But to tell you the truth, right now, I’d rather do yours.”

I moved in, pressing my lips to hers. She tasted like rose hips and vanilla, and the sweet scent of herbs perfumed the air of the room. Her tongue brushed against my mouth, and in response, I loosened the tie on her robe while she undid mine. Our hands searched each other’s bodies as we sank back onto the couch.

We made love for what felt like an infinity, the details of which are best left to memory, but it was unlike anything I’d ever experienced. I wanted more, but Evanora stood up, her body moving gracefully as she began to dance around the living room. Her nude, middle-aged figure still carried the vibrancy of someone far younger, and as she closed her eyes, she seemed to be lost in her own rhythm. I couldn’t take my eyes off her as she swayed like a wood nymph, her movements slow, deliberate, and hypnotic.

She came over to me and stretched out her arms.

“Dance with me, baby.”

I’ve never been shy, but dancing naked with a witch? That was a new one for me. Still, I stood and joined her, unsure of my own movements. At first, I mimicked her graceful flow, but it was clear she was listening to some music only she could hear. It didn’t matter; I let her take the lead. Her arms rose above her head, and she skipped around as if caught in a magical trance. I followed her, trying my best to keep up.

She ran her hands over her body, moving like she was making love to the air or some invisible presence. Her dance became more sensual, almost hypnotic. At first, I didn’t hear anything, but then, slowly, the music began to seep into my mind, like it had always been there. I wasn’t sure where it came from, but I didn’t question it. We had connected on a deeper level, and I could feel her energy wrapping around mine. Sweat dotted my skin as my heartbeat quickened. We moved faster, spinning and twirling around the coffee table.

Suddenly, she stopped. She lifted her head and arms, her body still, and she whispered something in a language I couldn’t understand.

Naestra, finna, toldor enna candorom! Shallae umstra lammacrom!

She grabbed a stalk of herbs from the table and held it to the small fire in the fireplace. It caught alight immediately, and she placed it back on the table, where the fire quickly died, but the stalk continued to smolder. With a swift movement, she darted off to a closet and returned with what looked like a red kilt.

I froze. “What is this?”

“A gift,” she said softly. “Something special. Something passed down.”

I stared at the kilt. There was something unnatural about it. It seemed to have a strange, magnetic pull, as though it had been waiting for me.

“Put it on,” she said, her voice suddenly hard, almost commanding. “It’s for you. It’s time.”

My heart raced. I was reluctant, but somehow… I couldn’t say no. Maybe it was the weed still clouding my judgment, or maybe it was something else. But under her spell, I complied. As soon as the kilt was fastened, it began to glow, the red light intensifying. I tried to remove it, but the buckles burned my fingers.

Panic set in as the whole room felt different now. The air was heavier, charged with an electricity I couldn’t explain. Everything about Evanora—about this place—had changed. It was no longer just a night of lust, no longer just an adventure. There was something ancient, something sinister in the air. I could feel it pressing against my chest, making it harder to breathe.

Evanora moved slowly around me, her eyes locking on mine. “Feel it now?” she asked, her voice a low murmur, almost teasing, as though she were enjoying every bit of my growing unease. “The change? The power?”

It was impossible not to feel it. When she first asked me to put the kilt on, I hadn’t known what it meant. Not really. I thought it was just some strange fetish of hers. But now, as the kilt pressed against my skin, as it seemed to burn deeper into me, I began to understand. This wasn’t just clothing. It was a power. A force. It was taking over. I tried to tear it off, but it wouldn’t budge.

“Don’t fight it,” Evanora said, sweet and insistent. “You’re ours now. Mine and Rory’s. Just like all the others before you.”

Her words didn’t register immediately, but then, through the haze, I remembered the peach pit necklace. The one she wore around her neck, nestled between the soft curve of her chest. At first, I hadn’t thought much about it, distracted by her beauty, her voice, her… presence. But now I saw it clearly.

Each seed—not pits at all—but trophies. Mementos of the conquests in her twisted collection. The men she had seduced, transformed, and consumed. I was just another name in that long, horrific list. A notch on her belt. Another pit to add to her collection. Their collection.

“Don’t resist it, Tom,” she said softly. “It’s the gift of life. You’re giving Rory the gift of eternal life.”

I tried to scream or even make any kind of noise, but the kilt had consumed me. It wasn’t just physical anymore—it was spiritual. It was as if the very essence of me was being erased, rewritten, and remade into something else. This kilt wasn’t merely cloth—it was alive, a vessel woven with threads of ancient magic and bound by blood oaths older than memory. It was Rory’s spirit pulsing within its glowing fibers, a beacon of unending life fueled by the stolen essence of those who dared to don it. I was just an offering, consumed to keep Rory eternal.

“You are the bridge,” Evanora whispered. “The tether is reforged, the cycle unbroken.”

The energy of the kilt surged, and with it, Rory materialized. His form was radiant yet terrifying, a spirit both ancient and ageless. A menacing smile grew beneath his red beard. He reached out, and I felt the last remnants of myself slip away, leaving only silence where once my soul had been.

As the kilt fell limp, its glow dimmed to a soft ember. I was gone—no, transformed. No longer myself but a fragment of Rory’s eternal being. The kilt would now wait, as it always had, for the next fool to continue its cycle. Rory was alive, and I was nothing more than charms on a Montana witch’s necklace.

©2017 Rick Baldwin. Revision ©2024.  All Rights Reserved.

(COPYRIGHT NOTICE – This story is under the full copyright of the author who gives permission for royalty-free performance/readings of the story for non commercial purposes. This story must not be changed or altered in any way without permission of the author. Any performance of this story must credit the author, Rick Baldwin. This story may not be reprinted without permission of the author.)

Fergus MacDuff

For as long as I can remember, the name “Fergus MacDuff” has been a part of my consciousness. When I was a child, my parents used the name as a threat or motivation for correction. “If you don’t clean your plate, Fergus MacDuff will get you. Clean your room or Fergus MacDuff will find you in the night.” As kids, we imagined old Fergus MacDuff lived under our beds, his long, dirty fingers grasping for our ankles every time we went to turn in for the night. Most of the time we would run to our beds and take a long dive onto the safety of the mattress, relieved we avoided another murderous, grasp by Fergus MacDuff.

The reality was Fergus MacDuff didn’t live under our beds but, rather, in an old hovel a block from the abandon gas station, a quarter of a mile from our house. At least that’s what all the kids at school said. We were all very aware of the dilapidated Fergus MacDuff house that sat it the middle of the overgrown plot of land we had to pass when we walked to the ball field. People would tell stories about seeing Fergus MacDuff standing in the shadows of his porch, watching all of us kids playing across the street. Some people said they saw him clutching a butcher knife. Ginny Blair said she saw him holding a chain saw. Troy Bolin claimed he once crept up the weedy pathway to Fergus MacDuff’s door, only to find him sitting on his porch pulling feathers off of a dead, bloody chicken. No matter the variety of stories, one detail was always consistent. Everyone claimed they saw old Fergus MacDuff wearing a dress. Why that old man would wear a dress, I couldn’t imagine but that was the thing about him the creeped me out the most.

In sixth grade, my best friend was Dewey Milk. Yes, that was his real name and no, you couldn’t come up with a new name-joke that Dewey hadn’t heard a million times before. For three or four years, Dewey Milk and I were inseparable. We always pretended we were Mulder and Scully only, in our fantasy world, I was Mulder and Dewey always wanted to be Agent Scully. He always said it was because of his red hair but I knew he had more personal reasons. Dewey Milk and I would travel the neighborhood investigating all rumors of paranormal activity. It was usually just blowing the lid off crazy tales we heard around town like Mrs. Stallings’ possessed cat or the space alien someone said the Berrier’s were hiding in their dairy barn. We never really found anything, of course, but we thought we were making some sort of difference to the safety of the neighborhood. It was all just innocent fun. Innocent, that is, until one day when Dewey Milk suggested we climb the back fence of the abandon gas station, crawl through the weeds and get our own view of Fergus MacDuff.

Sometimes in life you do things you would normally find so terrifying, you just have to shut your mind off and do ’em. Like pulling off an old band-aid. Don’t think about it, just do it. That’s how I felt about Dewey Milk’s suggestion. I said “yes” without thinking much about it and I told him we should do it immediately, since it was starting to get dark and I knew in a few more minutes my mom would be calling me in for dinner. But, really, I just wanted to get moving before I talked myself out of it.

We scaled the gas station fence and soon found ourselves, on our stomachs, in five feet of weeds. The sky was that deep blue glow which happens right before everything goes completely black dark. Dewey Milk was right next to me and I was sure he would be able to hear the thumping of my heart, if it wasn’t for the pulsing screams of the cicadas. We laid there for what seemed like two hours. I wasn’t exactly sure what we were looking for. We stared at the silhouette of the old shack.

“I think I see him,” Dewey Milk said in a low whisper that scared the shit out of me.

“Where?” I asked. I couldn’t see anything but black.

“Right there in the middle,” Dewey Milk said. “See? It’s a window. You can see a little orange glow coming from it.”

I stared at the scraggly black building for a few moments. I’d been looking at the remaining light from the sky but when I let my eyes adjust to the darkness of the old shack, I, too, could see a glow coming from what looked like a window. It was the first time I really thought about what were were doing and, at that moment, I realized I didn’t want to do it.

“We gotta go back, Dewey,” I said. “My mom’s gonna bust my ass.”

“It’s too late, Mulder” Dewey said. “We’re in this too deep.”

Dewey Milk was right. We were engaged. It was too late to abort the mission. And, before I could agree, I heard a whimper come from him, then a low, gurgling, choking sound. Before I could ask if he was okay, I felt cold, leathery fingers grab the shirt at the back of my neck and pull it tight. I couldn’t tell what was happening but I could feel my entire body being lifted from the ground. I looked over at Dewey and could barely see him as he looked behind me. I knew from the panic on his face, the bony fingers which had me in their grasp, belonged to none other than Fergus McDuff.

The next few minutes moved super fast. I don’t remember moving from the cover of the weeds to inside the old shack but, in the blink of an eye, there we were sitting in front of a small, soot-covered fireplace. I assumed we were in the living room of Fergus McDuff. It was difficult to determine where we were though. In every inch of the house was piled boxes and books and paper and trash and mounds and mounds of shit. How anyone could live in that environment, I don’t know. It smelled like old water, old food and dead animals. No telling how many bodies of mice, rats, possums, raccoons, and, who knows what else, were rotting under the piles of garbage. It was sometimes impossible to tell if we were indoors or outdoors. I guess I’m still not sure. I looked at Dewey Milk sitting next to me and noticed he, too, was scanning the contents of the room while at the same time trying to figure out if there might be some miracle way of darting out of the room.

I could see the outline of Fergus MacDuff sitting in a chair in the dark. I could hear the clunking of metal which I eventually recognized as the sound of a spoon in a can. Was Fergus MacDuff eating while holding us prisoner? After a few minutes, an empty can of corned beef hash was flung out of the darkness and hit me on the bottom of my shoe. I heard a hacking cough in the middle of the void, the crinkling of paper and chewing noises. Dewey Milk reached over and touched me on the knee and pointed at the fireplace. On the mantle, I could see twenty or thirty little handmade dolls lined up in a row. They were crudely made but each one had it’s own distinctive look. Skinny dolls, fat dolls, boys with glasses, girls with braces, one doll in a wheelchair, just a lot of different dolls. I looked at Dewey Milk and he shrugged. I knew what he was thinking. What would this creepy old man be doing with all of these dolls? I was thinking something else. Why did Fergus MacDuff bring us here and what was he going to do with us?

After about forty five minutes of sitting on the dirt floor in front of the fireplace, I had had enough. “Can we go home?” I asked. “My mom and dad are going to worried and they’re going to start looking for me.” I waited for a response from the dark and heard only a guttural noise. I couldn’t figure out if Fergus MacDuff was clearing his throat or laughing at me. “Ginny!” Dewey Milk whispered. “Ginny?” I whispered back. Dewey Milk pointed at one of the dolls on the mantle. It was a doll with curly brown hair and big, wire glasses, almost as big as her entire face. He was right. The doll looked like Ginny Blair. In fact, I suddenly recognized another doll. The one with braces was Carol Thornton. And there was Ray Beale. Johnny Brooks was there, Reneé Kincaid, and the wheelchair doll was definitely Kimmy Morgan. Dewey and I looked at each other with wide eyes. We recognized our entire class there on top of Fergus MacDuff’s fireplace. I could feel tears pooling in my eyes. I was terrified and I wanted to get out of that creepy house. I scanned the room for an exit opportunity. It was hard to see anything through the piles of trash but I noticed an open door in the room across from the living room. That was my big chance. I caught Dewey Milk’s eyes and subtly ran a pointed finger across the floor toward the open door. I counted in my mind, ready to dash toward freedom. Five… four… three… two… one…

Suddenly, a large pile of trash moved in front of me and blocked the open door. No. It wasn’t a pile of trash after all. It was Fergus MacDuff. The glow from the fire let me see Fergus for the first time. He was like a mountain. His hair and beard looked like the weeds we hid in outside his house. His face was wrinkled and looked like it was made of an old horse saddle. A wet stream of tobacco juice ran down the corner of his mouth. He reached over my head and, for the first time, I noticed the dress everyone talked about was actually an old kilt. Like the one I saw in a book about Scotland at the school library. Only, this one looked like it hadn’t been washed in at least 100 years. I looked up at Fergus MacDuff and he grasped for a doll on the mantle. Holding his arm at a 90 degree angle he danced the doll over his arm and made squeaky noises. The doll was chubby with bright red curly hair. I immediately recognized it as the doll version of Dewey Milk. Fergus MacDuff cackled with a phlegmy laugh. He was obviously very entertained at his weird little puppet show. He slowly handed the doll to Dewey Milk but when Dewey reached out to take it, Fergus MacDuff quickly tossed it into the fire where it ignited into a ball of flame. Fergus MacDuff laughed with an even bigger cackle of phlegm.

I scanned the fireplace for my doll. I knew I was the next star of Fergus MacDuff’s show. I was a lanky girl with a short, bob hair style and tomboy clothes. But none of the dolls looked anything close to me. It didn’t make sense to me. Why would everyone else in our class be there on his fireplace mantle in doll form but not me? I turned to look at Fergus MacDuff and he stared down at me like he knew what I was thinking. His bony fingers moved down between his legs. He fondled around in the old leather pouch on the front of his kilt until he opened it. He reached inside and pulled out a crushed, misshapen doll. He ran his fingers over the doll a bit until it smoothed out and he handed the doll to me. He started laughing the biggest laugh yet and he turned and walked into the dark part of his house and closed a door. Dewey Milk and I immediately ran to an exit door and kept running as fast as we could toward my house, the laughter of Fergus MacDuff fading into a soft echo behind us.

When morning came, I found myself questioning whether my experience with Fergus MacDuff the night before was real or a dream. I wanted to ask Dewey Milk, but his mom said he went with his grandparents to a church function. My dad was sitting at the breakfast table reading the paper and drinking a cup of coffee. I asked him what he knew about Fergus MacDuff. “Fergus MacDuff?” He asked, surprised. “Well, honey, I think you’re old enough to know the truth about Fergus MacDuff. There’s no real Fergus MacDuff. I mean, there was a Fergus MacDuff. Long time ago. He was a custodian at the school you go to but somebody said he was inappropriately… well, you know… interacting with some of the kids. He was fired and he just went away by himself. Everyone started using his name as a kind of boogie man, you know? “Last one to the porch will be killed by Fergus MacDuff!” It started out as something funny but I guess it just became silly. Your mom and I always did it in a joking way. I don’t know, maybe it went too far. Anyway old Fergus MacDuff died ten years before you were born so there’s no way he’s ever going to get you.”

I never talked to my parents about the night Dewey Milk and I spent in Fergus MacDuff’s creepy living room. It was a secret Dewey and I locked away in our own minds. We never even discussed it ourselves. Even though we were so close, eventually we drifted apart. Dewey’s parents moved to Nevada and we wrote each other letters for a year but that stopped eventually. There was no email or Facebook then so it was easy to just gradually lose touch. The last time I heard from Dewey Milk was five years ago after my husband Alan and our son Daniel drown in a boat accident while on a fishing trip. Dewey heard about it from his sister and he called me to tell me how sorry he was. We both cried together on the phone and promised we would soon get together. But we never did. Then, I heard last week that Dewey Milk was on a business trip in Los Angeles and, along with twenty-two other people, died in a hotel fire. I was devastated. I was also haunted by that night when Fergus MacDuff tossed Dewey’s doll into the fireplace. I couldn’t stop thinking that maybe that had something to do with Dewey’s death. And it made me wonder the whereabouts of the doll Fergus gave to me. I hadn’t seen it in thirty years or so. Last I remembered, I put it in a cigar box my dad gave me and I stored it in my attic.

I decided to dig out that cigar box and take a look at the creepy old doll. I went into the attic and moved piles of boxes and other stored items. For a second, it reminded me of the piles of junk in Fergus MacDuff’s living room. I found an old box of toys and mementos from my elementary school days and I pulled off the tape. It was mostly dusty, plush toys, softball shirts and gloves and sports cards. I cleared away the layers of memories until I finally located the wood cigar box. I remember wrapping the box with rubber bands, ribbons and strings which I pulled and cut off. I opened the box expecting to see the crude, straw doll, but I was horrified.

The doll Fergus MacDuff had given me was gone. In its place were two others: one unmistakably Alan, my husband, dressed in his fishing gear, and the other—a small boy with bright blond curls—was Daniel. The stitching on their mouths was crude and uneven but I immediately knew it was them.

Frantically, I dug through the cigar box, scattering its contents across the attic floor. I turned over every toy and scrap, but my doll was nowhere to be found. I had sealed this box myself thirty years ago, hadn’t I? How could these dolls have gotten in? Where was mine? Was there some way Fergus MacDuff could have reclaimed the doll? How could he and if so… why?

I shoved the box back into its hiding spot and turned to leave. As I stepped onto the creaky stairs of the attic, I froze.

Behind me, in the darkness, came a faint, phlegmy laugh. The same laugh I hadn’t heard in thirty years.

©2016 Rick Baldwin. All Rights Reserved.

(COPYRIGHT NOTICE – This story is under the full copyright of the author who gives permission for royalty-free performance/readings of the story for non commercial purposes. This story must not be changed or altered in any way without permission of the author. Any performance of this story must credit the author, Rick Baldwin. This story may not be reprinted without permission of the author.)

The Old Lockhart House

(Based upon true events.)

I come from a very rural part of East Tennessee. It ain’t exactly what you’d call the “sticks” ’cause there is a large city about 20 minutes away but you could still get lost on the winding, country roads surrounding the house I grew up in. It would take someone familiar with the area to help you get out and back on your way to civilization.

Behind my house was a steep incline and at the bottom of that incline was an old sawmill run by Elmer Nicely. The train tracks ran right alongside Elmer’s sawmill and when a train would come through, about once an hour, all the windows in our house would tremble for about 10 minutes. Elmer also slaughtered hogs at his place so it was awfully nice when the train came by and masked the horrible squeals we’d sometimes hear from his small, wood slaughterhouse.

There was a one-lane gravel road that cut between our house and the sawmill. I’d see cars pass through there at all hours of the day and night but, when I was a kid, I’d never been far down that old road. It just looked scary down there to me. The trees and kudzu were overgrown and the road looked like a path into a dark tunnel of leaves, vines, sticks and dust. I knew some people lived down that gravel road but I didn’t know anyone personally. They were mostly reclusive, country people who liked to keep to themselves and I wasn’t one to go messing with them.

When I got older, my parents would let me walk down the old, gravel road by myself. I remember the first time I went down past the sawmill, past the slaughterhouse, and found where the old road bent to the left and crossed the railroad track. At that point, I couldn’t recognize any surroundings. It was like I was in some small, backwood village. There were old, broken down, rusted trailers that people still lived in, nestled back in the brush. There were so many old houses I’d never seen before and they looked like they’d been pieced together with scrap wood and plastic and cardboard. There was an old creek which ran behind the houses, I had no idea existed. Every other house, it seemed, had an old, mangy dog tied up to a tree or a rotting dog house. Something about the whole atmosphere made the hair on the back of my neck stand straight up.

Just past the shacks there was an old corn field, overgrown with weeds and brush. Hanging on a wood post was a pitiful looking scarecrow with only one arm raised. Like he was trying to hitchhike his way out of that place. For some unknown reason, the scarecrow’s owner had dressed it in a burlap kilt with an old piece of corn cob stuck on it as a kilt pin. Next to the corn field, sitting way back off the road, was a decrepit, white, three-story wood house. All of the windows on the house were broken out and you would need a machete to get to the front door, but it was still a pretty impressive house among the dilapidated shacks. The old house looked like it had been quite something in its time and it made me want to do some research to find out its history.

The next day, after seeing the old house, I was telling some of my school friends about it. One of my friends said, “That’s the old Lockhart house.” Then he said with a smile, “I’ve heard it’s haunted.” Neither of us believed in ghosts or haunted houses but we’d both seen how creepy the place looked. I wanted to find out more information about it but I wasn’t sure where to go. I’d seen some of the Lockharts at the school and I assumed they didn’t live in that house. Or did they?

A few weeks later, I was discussing the house again with school friends when I heard someone laughing at me. It was Chris Mullins. Chris was was a muscular, good-looking guy with more than a little Native American blood in him. He was one of the stars of the football team and a pretty nice guy. One of the few jocks who would actually spend any amount of time talking to someone like me. “That’s a great make-out place,” he said. “Get you a girl down there, she gets all scared, you tell her you’ll protect her… she’ll do pretty much anything you want.” Personally, I don’t think Chris Mullins ever needed a scary house to get a girl to do whatever he wanted but I guess it was a nice tip anyway. “I’m taking Jenny Quarles down there Friday after the game,” he said. “The only scary thing she needs to worry about is in my pants!” he said. We all laughed.

The football game that Friday night was on the night before Halloween and it was against one of our biggest rivals from the next county over. We won the game easily and the celebrations went on way into the night but I decided to head on home a bit early. It was dark and blustery outside. There was a full moon’s light that would appear and disappear behind fast moving dark clouds. I thought about what Chris Mullins said about taking Jenny Quarles to the old Lockhart house. In fact, I couldn’t get it out of my mind. I thought maybe I could just drive right by the place and look over and see if I could see them there. I wondered if he really had the guts to go there or if he was just all talk. I decided I’d drive past the Lockhart house and then circle around and come back home.

I hit the old gravel road right about the time I heard a train horn sounding in the distance. By the time I got to the part where the road curved around and crossed the track, the train was coming fast so I sat and waited for it to pass. When it was gone, I listened to the silence for a few seconds. There’s nothing like the deep, dead silence of the country after a train passes through. I drove on past the trailers and shacks and up to the corn field when I noticed something very strange. That old scarecrow was gone. I could see his weathered old post still standing there in the field but the scarecrow was nowhere to be seen. Maybe it had fallen down I thought. Or maybe Chris was using it as part of his plan to get Jenny all scared and clingy. Up ahead I could see a car parked off the road in front of the house but no one was in it. I drove past it slow and looked inside and the front and back seats were empty. Surely Chris Mullins wasn’t brave enough to take her inside the house. Or stupid enough. I pulled my car over to the side of the road and turned off the engine and the lights. I rolled down the window to see if I could hear any voices. The air smelled like dead leaves and dirt and dogs and old engine oil. The light from the moon was starting to spend more time behind the clouds leaving everything in a deep indigo darkness.

If you’ve never heard the death scream of a hog at midnight, well, it’ll send shivers over every inch of your body. It’s worse when you’re far away from anything you recognize. It’s even more terrifying when you realize the scream you just heard wasn’t a hog at all but it’s human and it’s coming right toward you. Jenny Quarles tried to open the passenger door while she screamed but it was locked. She jumped onto the hood of my car and pounded on the windshield like she intended to go right through it. It took me several seconds to recognize it was her and, when I did, I jumped out of the car. In one leap, she jumped on me and her legs gave out from under her, all the while still screaming. I tried to calm her down best I could and ask her what was going on. She couldn’t speak but she grabbed my hand and pointed toward the Lockhart house. She could only say “Chris” and pull me toward the house.

A small path had been trampled into the weeds and brush in front of the house and Jenny pulled me along the path. It was all happening too quick to think anything about it but, now days, I can’t even believe I went into all that jungle. We tripped and stumbled our way to the side of the old house where there was a clearing under some tall, twisted trees. Jenny pointed to one of the trees and again let out a shrill scream. On the dirt, under the tree, was a scattering of straw covered in blood. Hanging from one of the trees was Chris Mullins. His throat cut from earlobe to earlobe. Stuck right in the middle of his neck, was what appeared to be a corn cob kilt pin.

I grabbed Jenny’s arm and ran back toward the car faster than I’d ever run before. It was a good thing Jenny was a small girl because when we hit that tangled path of vines, I drug her along behind me even after she tripped and fell several times. We got into the car and sped off to my house where we called the police and Jenny’s parents.

It was several months before Jenny Quarles was able to fully relay the events of that night to anyone. She and Chris Mullins had left the school after the football game and drove to a convenience store where Chris’ brother was the manager and would sell them beer. Chris told Jenny he wanted to take her to his house and he drove to the old Lockhart house, jokingly telling her it was where he lived. They parked the car, sat on the hood and drank a couple of beers under the moonlight. After they made out for awhile, Chris suggested they walk up to the house. Well, Jenny didn’t think that was such a good idea so Chris made a bet with her. Jenny had to agree she would go up to the house if Chris could hit the old scarecrow with all four of their empty beer bottles. Even in the darkness, Chris proved to be quite the athlete. Each bottle landed squarely on target, the last one almost taking off the old scarecrow’s head. Jenny reluctantly went up to the dark old house with Chris and, after they got up under the trees, Chris began trying to scare her by pretending to run into the old weedy cornfield and then running back out. At one point he didn’t come back out and Jenny thought he may have snuck back to the car just to spook her. She wandered her way back to the car, through the maze of the thicket and, not finding Chris, she sat on the hood of the car and drank another beer. When the light of the train cut through the blackness, she once again made her way to the side of the house and it was at that point she found Chris Mullins hanging from the tree.

On Halloween night, few people let their kids go out Trick or Treating. No one was in a Halloween party mood. Everyone was terrified there was a murderer on the loose so people stayed home and locked their doors. It was the first time in 18 years I’d seen my parents turn the locks on their own doors. Around 9 o’clock Halloween night, one of my friends called to tell me that several guys from the football team had plans to drive to the old Lockhart house around midnight and burn it down. So, a little bit after 12, I drove down the gravel road. I could see the sky glowing orange far in front of me. I crossed the railroad tracks and could smell the smoke and could see flames flickering high into the sky. I passed by the shack houses and rusty trailers and I could see the old. wooden Lockhart house fully engulfed in flames. There were no cars or people to be seen anywhere around. And, to my surprise, there, silhouetted against the bright orange light of the fire, hung that old scarecrow; kilt around its waist, arm stretched out and head held high.

©2016 Rick Baldwin. All Rights Reserved.

(COPYRIGHT NOTICE – This story is under the full copyright of the author who gives permission for royalty-free performance/readings of the story for non commercial purposes. This story may not be changed or altered in any way without permission of the author. Any performance of this story must credit the author, Rick Baldwin. This story may not be reprinted without permission of the author.)

Forbidden

He was born
desert frost,
a Kansas avalanche;
an impossibility
in her
life
posing as savage
fantasy
they both carried
under their
skin
like a virus fiend.

     — © Rick Baldwin

Bloody Hell! (A True Story)

Yesterday, when I came home from the studio, I noticed drops of blood on my front porch.

I immediately joked, “Oh, look! A killer came to visit!” Then a darker thought struck: what if someone had broken in and harmed my pets? I rushed inside, heart pounding, but found my cats and dog peacefully napping, blissfully unaware of my panic. Relieved, I checked the floors and carpets for more blood. Nothing. The blood seemed to be confined to the outdoors.

Returning to the porch, I inspected the blood drops and noticed a massive splash on the white porch post above the handrail. It looked like someone had flung a blood-soaked sponge at the wall. This was no minor mess. Then, in the corner, I saw it: my wicker chair, its seat smeared with blood. It looked as though someone with very bloody pants had sat there for a while. Drops of blood pooled beneath the chair and splattered across the front window. My porch was starting to look alarmingly like a crime scene.

I tried to make sense of it. Could an injured animal have sought refuge on my porch? It would need to be something agile enough to perch on the handrail, but there were no bloody paw prints. Maybe it was a bird? But do birds even have that much blood? Perhaps two birds had an MMA-style showdown right on my porch. Still, there were no feathers, no tracks, no signs of a struggle—just blood. Lots of blood.

Bloody PostFeeling increasingly uneasy, I decided to call the police. Maybe there’d been a nearby incident, and this could help them track the killer’s movements. Perhaps the culprit had considered knocking on my door to borrow some Lava soap and a Tide Stick but thought better of it. I’m no expert on how criminals think—sane or otherwise.

The dispatcher seemed moderately concerned, which I took as a good sign. I emphasized the blood in my explanation, wanting to sound credible and not like a neighborhood crackpot. Dispatchers are hard to impress, but I think I managed. She assured me an officer would be out soon.

Now I faced a dilemma. Should I wait inside or meet the officer outside? How would “a bloody porch” sound over the radio? Would they send two cars? Three? When the squad car finally appeared, I stepped onto the porch and waved him in.

In hindsight, there’s probably nothing more suspicious than a 6’5″ hairy man in a kilt standing on a bloody porch waving at the police. It’s likely the exact scenario they use in Police Academy training videos to demonstrate when it’s acceptable to fire without warning. The officer cautiously approached as I explained the situation, pointing out the blood pools and splatters. I even shared my amateur detective work: no bloody fingerprints on the doors or windows. I might have even used the word “perpetrator” a couple of times. Meanwhile, I cleared junk off the porch, making space for the mobile crime lab and its fancy equipment.

The officer didn’t seem impressed. If anything, he looked more exasperated than concerned. “It was probably some animal,” he said with a sigh that practically added, ‘you dumbass.’ “Maybe a fox or coyote dragged something up here.”

“Like what, a roadrunner?” I wanted to ask but held back. As his interest visibly waned, I started feeling sorry for the imaginary family who’d been gruesomely murdered the night before, their crime forever unsolved. I wondered which house they lived in and if their lawn looked better than mine.

That’s when it hit me: I’d just become this officer’s story at the station. “Did I tell you about the guy in the skirt who called in because a sparrow cut itself shaving on his porch?” he’d say, igniting uproarious laughter. “Maybe it was just ‘his time of the month!”’ Cue the holster-gripping belly laughs and cigarette tosses. Some might even Google my website for a visual to match the story. Police bullying at its finest.

Early this morning, I awoke with a phrase ringing in my head: “a criminal always returns to the scene of the crime.” Quietly, I crept to the living room window overlooking the porch. There, on the stained wicker chair, sat a big orange cat, staring hungrily at the bird feeder. His eyes darted with every fat morsel that flitted by. He was clean. No blood. Perhaps he’d been unlucky in the hunt. I opened the door, and he bolted, pausing behind a tree to peek at me before disappearing into the dawn.

“Mystery solved,” I thought.

Then, in a flash, a hooded man leapt from the bushes and plunged a knife into my chest 37 times. Blood splattered across the porch, the walls, the windows, and the stupid wicker chair. My lifeless body collapsed as the man fled into the night.

Of course, that last part didn’t happen. But it’s the story I’m telling next time I call the police dispatcher.

The Date (Sketch Comedy Script)

Lights up in a restaurant. A couple, ANDREA and STEVEN, sit at a table reviewing menus.

ANDREA: Have you decided what you’re having?

STEVEN: It all looks great. Ooo, how about this—“Pan-Seared Filet Mignon with Garlic Mashed Potatoes…”

ANDREA: Where’s that?

STEVEN: (pointing at her menu) Right… here.

ANDREA: Mmmm, yum! I think I’ll have that!

STEVEN: (playfully) You’re just copying me.

ANDREA: Or I have great taste.

They share a smile.

STEVEN: Don said he’d be here at 7:45. What’s keeping him?

ANDREA: I can’t wait to meet his new girlfriend!

STEVEN: I know, right? I’m just glad he’s finally moved on from Cindy. I swear, if I got one more midnight “I can’t live without her” call, I was gonna block his number.

DON enters, carrying a road cone under his arm.

ANDREA: Here he comes!

DON: Hey, guys!

STEVEN: (eyeing the cone) Uh… hey, Don. Is… everything okay?

DON: Great! Never better!

DON sits, setting the cone on a chair.

DON: Sorry we’re late. Steven, Andrea, I’d like you to meet… Jennifer!

STEVEN and ANDREA exchange stunned glances.

DON: (grinning) We took a little detour. (to the cone) Didn’t we, babe? Had to stop at the old ball field—things got… spicy. (giggles, kisses the cone)

ANDREA: (frozen smile) Oh. Wow. How… romantic.

WAITER enters.

WAITER: Good evening! Have you decided?

STEVEN: Yes, we’ll each have the filet mignon with garlic mashed potatoes and asparagus. And a bottle of your ‘86 Cabernet Sauvignon.

WAITER: Excellent. And for you, sir?

DON: (to the cone) What do you think, honey? Jambalaya? Yeah, we’ll share one big plate of jambalaya. And extra cayenne—Jennifer likes it spicy. (pause) Oh, and water for us both.

The WAITER stares, nods slowly, and exits.

DON leans over to whisper to the cone, then starts passionately “kissing” it, licking the hole on top.

ANDREA: (horrified) Don? Maybe… don’t do that here.

DON: What? Come on, guys, we’re all adults! You’ve never seen PDA before?

STEVEN: Not like this.

DON sighs and reluctantly pulls back. Silence follows.

ANDREA: So… Don. How did you and… Jennifer meet?

DON: Oh, it was fate! You know that construction site on the interstate? Traffic was crawling. I looked out my window and bam—there she was. Just standing there, glowing in the sun. I knew right then she was the one.

STEVEN: (muttering) Love at first cone…

DON kisses the cone again, oblivious to STEVEN and ANDREA’s discomfort.

ANDREA: (rising) If you’ll excuse me, I need to freshen up.

DON: Oh no, here we go!

ANDREA: What?

DON: (to the cone) She’s going to drag you off to the bathroom for some girl talk. Go on, Jennifer. (hands the cone to ANDREA) But don’t gossip about us too much!

ANDREA, holding the cone awkwardly, exits. DON turns to STEVEN.

DON: Isn’t she amazing? I mean, I’ve been so lonely since Cindy left. Jennifer makes me feel alive again.

STEVEN: Don, she’s a road cone.

DON: (offended) That’s shallow, Steven.

STEVEN: Shallow? She’s literally made of plastic!

DON: That’s offensive! Thermoplastic PVC.

STEVEN: Whatever.

DON: Look, you don’t know what it’s like out there, Steven. Modern dating is brutal! Jennifer doesn’t judge me. She doesn’t swipe left. She just… accepts me.

ANDREA returns with the cone. It now has a face painted on it, complete with lipstick and blush.

STEVEN: (grinning) Hey, Andrea, you look stunning. And Jennifer? Wow. That’s a face that would stop traffic!

DON: (horrified) Honey, you know I hate when you wear so much makeup. (grabs a napkin) Let’s wipe this off.

DON smears the makeup, leaving streaks of color dripping down the cone. They all stare at the mess.

DON: (to the cone) Oh, so now I’m the bad guy? I was just trying to help! And don’t think I didn’t notice you flirting with the waiter. Show a little respect for our relationship!

DON stands, grabs the cone, and storms off.

DON: (to STEVEN and ANDREA) Sorry. Cancel our order.

He exits. Silence.

ANDREA: We need new friends.

BLACKOUT.